« In the composition of My pop song, which could be described as “repetitive minimalist music”, I was influenced both by the motorism of John Adams' rhythmic and orchestral writing in The chairman dances, by the long imperturbable diatonic beaches built on low ascents from De profundis by Arvo Pärt and finally by the sweet nostalgia enamelled with optimism of the hovering melodies and the sparkling instrumentation of No surprises by Radiohead.»
Le Bien Public 09 avr. 2012
This work for accordion and symphonic orchestra constitutes an original meeting point between various very distant French musics. Indeed, we ca, hear the musette that made us dance and the Ravelian colors that made us dream so much.